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The Boy and The Heron Review

The Boy and The Heron deftly moves between commercialization, militarism, trauma and grief, family dynamics, geopolitics, the universe, and individuality.

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Wish: Disney Recaptures Some of Their Magic

The film doesn’t break molds like Spider-Verse and it doesn’t bring a revitalizing freshness like Mutant Mayhem, but there are some feels created and the story of Asha is original enough to warrant a viewing. 

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The Marvels Review

This movie is more than just two post-credit scenes, but audiences might be quick to overlook it if they play into the unnecessary crisis alert currently sounding about Marvel Studios.

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Five Nights at Freddy’s Review

Even for a PG-13 film, there isn’t much violence or gore, which is also paired with a stock buildup to scares and iconic kills from the video game that are muffled instead of refreshing.

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Barbie Review: Let’s Go Barb

One of the main keys to Barbie’s success is commitment to the Barbieland authenticity and Gerwig’s willingness to undercut both Barbie and Ken leads, only to build them back up again.

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